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A literary cause celebre when first published more than fifty years ago, Gore Vidal's now-classic The City and the Pillar stands as a landmark novel of the gay experience. Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in "awful kid stuff," the experience forms Jim's ideal of spiritual completion. Defying his parents' expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.
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L'empereur julien l'apostat (331-363), élevé dans la religion chrétienne, mais très tôt attiré par l'hellénisme, a tenté de restaurer le paganisme, au péril de sa vie.
Dans ces mémoires apocryphes, gore vidal nous conte le destin étonnant de cet homme hors du commun, et fait revivre toute une époque, des rives du rhin à la cour dorée de constantinople, en passant par athènes
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A sweeping novel of politics, war, philosophy, and adventure-in a restored edition, featuring never-before-published material from Gore Vidal's original manuscript-Creation offers a captivating grand tour of the ancient world.
Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athens-the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socrates-Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life's journeys: how the universe was created, and why evil was created with good. In revisiting the fifth century b.c.-one of the most spectacular periods in history-Gore Vidal illuminates the ideas that have shaped civilizations for millennia. -
"Wicked and provocative...Vidal's purview of Hollywood in one of its golden ages is fascinating." -- Chicago Tribune In his brilliant and dazzling new novel, Gore Vidal sweeps us into one of the most fascinating periods of American political and social change. The time is 1917. In Washington, President Wilson is about to lead the United States into the Great War. In California, a new industry is born that will transform America: moving pictures. Here is history as only Gore Vidal can re-create it: brimming with intrigue and scandal, peopled by the greats of the silver screen and American politics, from Charlie Chaplin and Douglas Fairbanks to Franklin D. Roosevelt and the author's own grandfather, the blind Senator Gore. With Hollywood , Vidal once again proves himself a superb storyteller and a perceptive chronicler of human nature's endless deceptions.
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Here is the story of arguably America's finest hour; of the time when the twentieth century dawned, Queen Victoria died, and America, basking deliciously in excess wealth, rather thought it might snap up an empire of its own. Yet while politicians muse over the potential of China or the Philippines - even Russia - empires are being built at home; railway empires; industrial empires; newspaper empires. Into this arena float the delectable Caroline Sanford, putative heiress and definite catch. Caroline is an oddity; she has been raised in France where they teach rich girls to talk and think. American society women, required only to think of themselves as the most interesting beings on earth, are rather alarmed. American men are amused - until Caroline shirks from marriage, sues her brother, buys a newspaper, and becomes that even greater oddity - a powerful woman. Mingling with the movers and shakers of the day - with President McKinley, Theodore Roosevelt, William Randolf Hearst, Henry James, the Astors, Vanderbilts and Whitneys - Caroline Sanford echoes the glorious passage of the United States as it sweeps into a new century, reaching boldly for the world.
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Un Américain inconnu, du nom de James J. Kelly, prétend être l'incarnation d'un dieu hindou, l'avatar destructeur Kalki, chargé de mettre fin à notre monde. S'agit-il d'un maniaque, d'un fou un peu gourou, d'un nouveau monstre tombé du ciel ? Tout le monde s'interroge. Et le monde disparaît ! Il ne reste plus à Kalki qu'à le repeupler...
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When two women tragically perish in a Duluth snowdrift, the one called Edna is reborn in 'Duluth', the popular television series and the one called Beryl finds herself in a 'Hyatt Regency' romantic novel entitled ROGUE DUKE. In Duluth they do it all with word processors. Meanwhile Lieutenant Darlene Ecks, strip-search enthusiast, terrorizes a barrio full of illegal Mexican immigrants until they rise up in defiance, the mayor plumbs the mysteries of a bright red spaceship and a life and death contest is waged between Duluth's leading socialite and its foremost author to complete contradictory biographies of Betty Grable. Gore Vidal's wicked extravaganza sports special effects not expected in a novel; and it poses taunting puzzles like who is the guy they call The Dude? And why is it said, 'Every society gets the Duluth it deserves'?
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Un garcon pres de la riviere _1ere_ed - fermeture et bascule vers 9782743638757
Gore Vidal
- RIVAGES
- 18 Mars 1999
- 9782743604745
Deux adolescents, jim willard et bob ford, découvrent l'amour physique avant de se séparer à la fin de l'été.
Pendant les années qui suivent, au cours d'un périple américain qui le mènera à vivre sur un cargo au large de l'alaska, puis chez une star d'hollywood dans les années 30, et à new york parmi les écrivains du village, jim willard tentera de retrouver le moment de grâce qui a marqué la fin de son enfance.
" un document humain important, d'une très grande véracité, et très édifiant. " thomas mann " un des meilleurs romans en son genre.
" christopher isherwood.
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POINT TO POINT NAVIGATION refers to a form of navigation Gore Vidal resorted to as a first mate in the navy during World War II. As he says, 'As I was writing this account of my life and times since PALIMPSEST, I felt as if I were again dealing with those capes and rocks in the Bering Sea that we had to navigate so often with a compass made inoperable by weather.' It is a beautifully apt analogy for the hazards eluded (mostly) during his eventful life.
From his desks in Ravello and the Hollywood Hills, Gore Vidal travels in memory through the arenas of literature, television, film, theatre, politics, and international society, recounting achievements and defeats, friends and enemies made (and on a number of occasions lost). Among the gathering of notables to be found in these pages, Tennessee Williams, Eleanor Roosevelt, Orson Welles, Greta Garbo, and Francis Ford Coppola. Some of the book's most moving pages are devoted to the illness and death of his partner of five decades, Howard Austen, and indeed the book is, among other things, a meditation on mortality, written in the spirit of Montaigne. -
The Golden Age is Vidal's crowning achievement, a vibrant tapestry of American political and cultural life from 1939 to 1954, when the epochal events of World War II and the Cold War transformed America, once and for all, for good or ill, from a republic into an empire. The sharp-eyed and sympathetic witnesses to these events are Caroline Sanford, Hollywood actress turned Washington D.C., newspaper publisher, and Peter Sanford, her nephew and publisher of the independent intellectual journal The American Idea. They experience at first hand the masterful maneuvers of Franklin Roosevelt to bring a reluctant nation into the Second World War, and, later, the actions of Harry Truman that commit the nation to a decade-long twilight struggle against Communism--developments they regard with a decided skepticism even though it ends in an American global empire. The locus of these events is Washington D.C., yet the Hollywood film industry and the cultural centers of New York also play significant parts. In addition to presidents, the actual characters who appear so vividly in the pages of The Golden Age include Eleanor Roosevelt, Harry Hopkins, Wendell Willkie, William Randolph Hearst, Dean Acheson, Tennessee Williams, Joseph Alsop, Dawn Powell--and Gore Vidal himself. The Golden Age offers up U.S. history as only Gore Vidal can, with unrivaled penetration, wit, and high drama, allied to a classical view of human fate. It is a supreme entertainment that is not only sure to be a major bestseller but that will also change listeners' understanding of American history and power.
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Gore Vidal's Narratives of Empire series spans the history of the United States from the Revolution to the post-World War II years. With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers. The centennial of the United States was celebrated with great fanfare--fireworks, exhibitions, pious calls to patriotism, and perhaps the most underhanded political machination in the country's history: the theft of the presidency from Samuel Tilden in favor of Rutherford B. Hayes. This was the Gilded Age, when robber barons held the purse strings of the nation, and the party in power was determined to stay in power. Gore Vidal's 1876 gives us the news of the day through the eyes of Charlie Schuyler, who has returned from exile to regain a lost fortune and arrange a marriage into New York society for his widowed daughter. And although Tammany Hall has faltered and Boss Tweed has fled, the effects of corruption reach deep, even into Schuyler's own family.
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It is a risky (and risque) business becoming 'Woman Triumphant' - exercising total power over men like Rusty Godowski. Rusty just wants to be a Hollywood star like everyone else at Buck Loner's academy, but now that Buck's niece, Myra Breckinridge, has arrived, the curriculum is taking a wildly strange turn. Willing to risk all to be superb and unique, Myra means to prove to her old friend Dr Montag that it is possible to work out in life all one's fantasies - and survive.'From Myra's fist appearnce on the page she was a megastar', explains her creator, Gore Vidal. Myra caused a second furore when she returned in Myron to battle it out with her eponymous alter ego, a drab little man fallen into marriage and a job in Chinese catering. Theirs is a contest of hormonal roulette, with glorious Myra off on time-travelling missions of mercy back to 1948 to try to change cinema history and to introduce her own radical theories of popuation control. Meanwhile Myron tries desperately to stay in the present as inconspicuously as Mrya will allow.
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Gore Vidal's new collection of essays shows him still writing at his finest. His comments on the deplorable state of American politics - from Bill Clinton to George Bush - are as apposite as ever and, controversially, there are two magnificent essays on the Oklahoma bomber Timothy McVeigh - who entered into an extraordinary correspondence with Vidal when he was in gaol - to the recent terrorist attacks on the World Trade Center.
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Gore Vidal's classic novel of Aaron Burr - the man who shot Alexander Hamilton.In 1804, Colonel Aaron Burr, Vice-President of the United States, shot and killed Alexander Hamilton in a duel. Three years later, on the order of President Thomas Jefferson, he was tried for treason: for plotting to dismember the United States.Gore Vidal, romping iconoclastically through American history, debunks, in this historical novel of Burr's life, the common and casually held notion of the man as a scoundrel and an adventurer. Instead he appears as one of the 'host of choice spirits' forced to live among coarse, materialistic, hypocritical people, among them Jefferson and Hamilton. Here, the latter appears as a power-hungry 'parvenu' from the West Indies and the former as a semi-literate slave-owning tyrant. American politics, suggests Vidal, had a penchant for the vulgar. Even then.Veering backwards to the revolution and the early days of the republic, stopping at dinner-parties on the way, and reaching forward to the future, Burr is a novel about treason, both the particular and in general. For what, asks Vidal, really belongs to whom? What properly belongs to the Constitution, to the nation, to the family even, intriguingly, to novelists and historians?
