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Comprehensive documentation of Archigram's iconic works
Contributions from all Archigram members, and essays by critics writing then and now
Archigram comprised Warren Chalk (1927-88), Peter Cook (1936-), Dennis Crompton (1935-), David Greene (1937-), Ron Herron (1930-94), and Michael Webb (1937-). Together they envisioned the future of architecture in ways that enthralled a generation. In an era defined by the space race, they developed a'high-tech', lightweight, infra-structural approach that stretched far beyond known technologies or contemporary realities. They devised autonomous dwellings and focused on survival technology; they experimented with megastructures and modular construction systems; they explored mobility through the environment, and the use of portable living capsules: all through the medium of an incredible series of drawings and models. Archigram's influence has been profound and enduring. They gave the high-tech movement its impetus; they inspired architects such as Renzo Piano and Norman Foster; and they laid the ground for the design of buildings such as the Pompidou Centre. Edited and designed by Archigram member Dennis Crompton, this book catalogues Archigram's activities over fourteen years, together with commentaries by the architects and critics writing then and now. -
In the 1960s and '70s, Archigram speculated on the nature of architecture in ways that influenced a generation. In an era defined by the space race, the group's exploration of movable structures and modular systems stretched far beyond known technologies or contemporary realities. Archigram magazine became the platform for exploring and sharing many of these themes. Launched in 1961, the magazine ran for 9 ½ issues until 1974, when Archigram disbanded. Now, after a 50-year pause for thought, Archigram is back. Edited by Peter Cook, with contributions from Archigram founding members Dennis Crompton, David Greene and Michael Webb, and with inputs from numerous contemporary designers, technologists and critics, Archigram #Ten takes a wry backward glance and imagines a bold leap forward. It looks at where architecture is going currently and asks: why? Contributors include: Hitoshi Abe, Nigel Coates, Odile Decq, Elizabeth Diller, Simon Herron, Thom Mayne, and Eric Owen Moss.
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If Richmond VA represented the historic heart of the Confederacy, then Monument Avenue was meant to memorialise its soul. The avenue was conceived in the 1870s, when the city elected to build a memorial to General Robert E Lee. It was not until 1890, however, that the massive monument was unveiled. Over the succeeding decades, Lee was joined by statues commemorating other leading Confederate military and political figures - JEB Stuart, Jefferson Davis, Stonewall Jackson and Matthew Fontaine Maury.
Almost from the moment they were erected, the Confederate monuments, as symbols of white supremacy, were the focus of controversy and protest. The climax came in the summer of 2020 when Black Lives Matter protesters, outraged by the death of George Floyd, converged on the avenue to vent their fury. On July 10th, Jefferson Davis was dragged from his pedestal. Two days later, Brian Rose packed up his cameras in New York and drove back to his home state to document the last days of the grand boulevard of the Lost Cause. En route, he reflected on his own history and the roles played by his forebears in the Antebellum South.This new edition of a classic book captures a pivotal moment in modern American history. -
La voiture comme lieu d'incarnation des mythes dans l'imagination contemporaine au travers des morts célèbres (d'Isadora Duncan à Helmut Newton)
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James Howell (1935-2014) was an American abstract artist who used infinite variations of the color gray to explore the fundamentals of light, space, time, and [kinesthetic] perception. He appreciated the color's mystery, softness, simplicity, and capaciousness. His precise, systematic methods, developed over many years, yielded accomplished square paintings and works on paper. Their subtle revelations - absent of illusion, narrative, and symbolic references - expand in the viewer's consciousness. In this comprehensive first monograph, Alistair Rider traces Howell's artistic evolution, from the beginnings of his career in the early 1970s through the artist's greatest achievement - the group of abstractions called Series 10, which occupied the last two decades of his life. Rider's multi-faceted essay also chronicles Howell's biography, including his early studies and accomplishments in architecture, and offers several interpretive frameworks for Howell's oeuvre, notably a connection to East Asian philosophies. The beautifully produced book presents dozens of full-color plates of artworks and exhibitions, and Rider's essay is thoroughly illustrated with archival images and documents from the James Howell Foundation. This publication makes a critical contribution to the reevaluation of an artist whose studies of light into shadow have for many years been in a dynamic conversation with recognized trends in contemporary art.
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Le mot tat, en anglais, indique tout ce qui est de mauvaise qualité, de faible valeur ou en mauvais état. Le designer Andy Altmann, fondateur entre autres de l'agnece Why not Associates, est un grand fan de tat. Tout au long de sa vie, la collecte d'ephemera graphiques a occupé une place centrale parmi ses activités de prédilection. Clôturant l'expérience de son agence peu avant la pandémie de Covid-19 pour se concentrer sur des projets personnels, le premier des projets d'Andy Altmann est un livre qui se veut un catalogue de ses découvertes, bien intitulé Tat * - des éphémères graphiques inspirants.
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"Reading Tableaux was like revisiting old haunts, or places I would have liked to have haunted. It sparked visceral sense memories and made me nostalgic. And the ending ..." - Midori It is 1984, the year of Ronald Reagan's re-election and the Brighton bomb; one can sense revolution in the air. Oliver Woolf is a thirty-something journalist, well-connected socially, and an instinctual conservative, whose comfortable routine is upset by a chance encounter in the rain. The girl in the rain is Candy, who is not what she first seems. Over the summer, Oliver and Candy form an unlikely friendship, and when she stops calling on him, he sets out to find her. His search leads him through a labyrinthine underworld that extends from London to Manhattan. Along the way, he meets someone who will change his life forever. A late-twentieth century Rake's Progress, Oliver's journey confronts issues that are still largely taboo. Illustrated with photographs by Steve Diet Goedde, Tableaux combines art and storytelling in a new hybrid form.
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Peter Cook's distinctive drawings have captivated and inspired generations of designers. Freed from stylistic or functional conventions, his graphic speculations have redefined the language of architectural communication. Speculations spans Cook's entire career, presenting some 160 drawings that range from student projects in the 1950s, through Archigram, to new work completed shortly before going to press. Arranged chronologically, these drawings chart the course of what can now be seen as an enthralling architectural adventure. Cook's own observations about the nature of architecture and urbanism, and the concept of the buildable, are complemented by pieces from architects Frank Gehry, Toyo Ito, Thom Mayne and Peter Wilson.
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Logo rhythm band logos that rocked the world
Jim K Davies, Jamie Ellul
- Circa
- 1 Septembre 2024
- 9781911422419
The V&A may proudly hold the original artwork for the Rolling Stone's 'tongue and lips' logo, but this is an anomaly. The cultural significance of the band logo has been overlooked. And yet, thousands of people wear them on T-shirts every day, mostly as badges of allegiance, but also simply because they look cool. Some have even become tropes - think The Ramones, Run DMC, AC/DC.
Band logos first emerged during the 1960s. They became commonplace in the 1970s and 1980s, when record companies and designer -
The first comprehensive account of the Space Station's conception, design, development and assembly in space, beginning in 1979 with early NASA concepts and ending with the final Space Shuttle mission in 2011.
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Il est difficile de penser à l'histoire de l'architecture moderne en Grande-Bretagne sans faire référence aux travaux d'Eldred Evans et de David Shalev. À partir de 1967, année où ils ont remporté le concours international de la Newport High School, ce duo est devenu une présence constante et originale dans le monde du design et de larchitecture. Ensemble, ils ont donné vie à de nombreux projets innovants, élégants et sensibles aux différents lieux de destination. Cette nouvelle monographie documente leur oeuvre remarquable telle qu'elle s'est développée au cours des six dernières décennies.
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Peter Salter est un architecte et enseignant dont le travail a influencé plusieurs générations. Walmer Yard, à Notting Hill, est son premier projet résidentiel au Royaume-Uni et l'un des rares bâtiments qu'il a achevés dans toute sa carrière après dix ans de travail. Ce livre documente l'évolution de ce projet remarquable à travers les esquisses de Peter Salter même et des photographies remarquables d'Hélène Binet. Avec des essais de Peter Salter, Fenella Collingridge, Crispin kelly, Peter Beardsell, Mark Dorrian et Matthew Ritchie.
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